Monday, February 02, 2009
The Rolling Stones
Albums
The Rolling Stones (UK Version)
The Rolling Stones (US Version)
12 X 5
The Rolling Stones No. 2
The Rolling Stones, Now!
Out of Our Heads (UK Version)
Out of Our Heads (US Version)
December’s Children (And Everybody’s)
Aftermath (UK Version)
Aftermath (US Version)
Between the Buttons (UK Version)
Between the Buttons (US Version)
Flowers
Their Satanic Majesties Request
Beggars Banquet
Let It Bleed
Sticky Fingers
Exile on Main Street
Goats Head Soup
It’s Only Rock ‘n’ Roll
Black and Blue
Some Girls
Emotional Rescue
Tattoo You
Undercover
Dirty Work
Steel Wheels
Voodoo Lounge
Bridges to Babylon
A Bigger Bang
Compilations:
Rarities 1971-2003
Live albums
Got Live if You Want It! (US only)
Get Yer Ya-Ya’s Out! The Rolling Stones in Concert
Love You Live
Still Life (American Concert 1981)
Flashpoint
Stripped
The Rolling Stones Rock and Roll Circus October
No Security
Live Licks
Shine a Light
Friday, January 13, 2006
Large Format Lenses & Center Filters
Schneider Wide Angle 58mm f/5.6 Sup-Angulon XL Lens with Copal #0 Shutter
Filter Size: 67mm EW
Schneider 67mm Center Filter (#3b) for 80mm f/4.5 and 110mm f/5.6 Super Symmar XL Lenses and 58mm f/5.6 XL and 90mm f/8 Super-Angulon Lenses
When working with ultra-wide-angle lenses, the fall off of illumination towards the corners is sometimes disturbing. For this reason, concentrically graduated Center Filters have been designed to compensate for this vignetting. These filters have a transparency which increases gradually from the center to the edges of the filter where it reaches full transparency. The transmission is independent from the wavelength of the visible spectrum. In order to avoid over exposure and with consideration of the exposure latitude of the film emulsions, we have not fully compensated for the vignetting of the lens.
It must be remembered that, when working with ultra-wide-angle lenses, one should avoid high contrast films, under-exposure, and non-uniform field illumination as much as possible. With the consideration of these three factors, the use of Center Filters in combination with the Schneider Super-Angulon (and Super-Symmar XL) lenses can open new areas of wide-angle photography in black-and-white and color.
For maximum results and definition when using the this Schneider center filter, it is necessary to increase the exposure 1.5 stops. It is also to be noted that the lens must be stopped down at least two full stops below maximum aperture, since only then can the maximum compensating effect of the Center Filter be achieved. This filter has a front accessory thread of 86mm and uses a 90mm push-on lens cap (SCLC90). A front cap is included.
Schneider Wide Angle 72mm f/5.6 Super-Angulon XL Lens with Copal #0 Shutter
Filter Size: 95mm EW
Schneider 95mm Center Filter (#4b) for 72mm f/5.6 Super Angulon XL
When working with ultra-wide-angle lenses, the fall off of illumination towards the corners is sometimes disturbing. For this reason, concentrically graduated Center Filters have been designed to compensate for this vignetting. These filters have a transparency which increases gradually from the center to the edges of the filter where it reaches full transparency. The transmission is independent from the wavelength of the visible spectrum. In order to avoid over exposure and with consideration of the exposure latitude of the film emulsions, we have not fully compensated for the vignetting of the lens.
It must be remembered that, when working with ultra-wide-angle lenses, one should avoid high contrast films, under-exposure, and non-uniform field illumination as much as possible. With the consideration of these three factors, the use of Center Filters in combination with the Schneider Super-Angulon (and Super-Symmar XL) lenses can open new areas of wide-angle photography in black-and-white and color.
For maximum results and definition when using the this Schneider center filter, it is necessary to increase the exposure 2 stops. It is also to be noted that the lens must be stopped down at least two full stops below maximum aperture, since only then can the maximum compensating effect of the Center Filter be achieved. This filter has a front accessory thread of 110mm and uses a 115mm push-on lens cap (SCLC115). A front cap is included.
Schneider Wide Angle 90mm f/6.8 Super-Angulon Lens with Copal #0 Shutter
Filter Size: 82 mm
Schneider Wide Angle 150mm f/5.6 Super-Symmar XL Lens with Copal #1 Shutter
Filter Size: Front: 95mm EW, Center Filter recommended, 62mm rear
Schneider 95mm Center Filter (#4a) for 90mm f/5.6 Super Angulon XL and 150mm f/5.6 Super Symmar XL Lenses
When working with ultra-wide-angle lenses, the fall off of illumination towards the corners is sometimes disturbing. For this reason, concentrically graduated Center Filters have been designed to compensate for this vignetting. These filters have a transparency which increases gradually from the center to the edges of the filter where it reaches full transparency. The transmission is independent from the wavelength of the visible spectrum. In order to avoid over exposure and with consideration of the exposure latitude of the film emulsions, we have not fully compensated for the vignetting of the lens.
It must be remembered that, when working with ultra-wide-angle lenses, one should avoid high contrast films, under-exposure, and non-uniform field illumination as much as possible. With the consideration of these three factors, the use of Center Filters in combination with the Schneider Super-Angulon (and Super-Symmar XL) lenses can open new areas of wide-angle photography in black-and-white and color.
For maximum results and definition when using the this Schneider center filter, it is necessary to increase the exposure 1.5 stops. It is also to be noted that the lens must be stopped down at least two full stops below maximum aperture, since only then can the maximum compensating effect of the Center Filter be achieved. This filter has a front accessory thread of 110mm and uses a 115mm push-on lens cap (SCLC115). A front cap is included.
from http://www.bhphotovideo.com
Thursday, April 14, 2005
Exhibition “L” Pins™
Item#2465
Chrome-plated pins secure glass and matted prints to the wall without bending. Size: 1” long; 3/8” bend; 1/16” diameter. Do not use on hard wall surfaces such as plaster. Excellent tool for galleries and museums that change exhibits often. 100/box
Price List
Qty Unit Price
1 $10.95
2 $10.25
5 $9.75
10 $9.25
from http://www.lightimpressionsdirect.com
Monday, January 31, 2005
(펌)진중권 - 소통을 거부하는 예술
*출처를 밝히고 싶으나 어디가 출처인지 모르겠음.
예술은 왜 이렇게 어려워졌을까? 20세기에 들어와 회화는 대상성을 잃고, 음악은 불협화로 가득 차고, 시에서는 의미가 파괴되고, 연극은 부조리해졌다. 예로부터 예술은 어차피 ‘소수의 것’이었지만, 현대 예술이 처한 상황은 그와는 본질적으로 다르다. 오늘날 제법 경제적, 문화적 여유가 있는 사람들, 그리하여 CD로 바흐를 듣고, 고호의 브로마이드를 사는 사람들에게도 현대예술만은 여전히 이해하기 힘들다. ‘베토벤의 음악도 제대로 이해되는 데에 100년이 걸렸다’며, 이를 시간이 해결해 줄 문제로 여기는 사람들도 있었다. 하지만 현대예술이 탄생한지 어언 백 년, 지금까지도 이 상황에 아무 변화가 없다면, 단지 시간의 문제만은 아니라는 얘기가 된다.
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